Title Author(s)
Creative Symbolic Interaction Assayag, Gérard
Mathews’ Diagram and Euclid’s Line: Fifty Years Ago Chowning, John
What Is Sound? Nelson, Peter
Sound and Music Computing Meets Philosophy Risset, Jean-Claude
Rhythmic Processes in Electronic Music Roads, Curtis
Chorale Synthesis by the Multidimensional Scaling of Pitches Barlow, Clarence
Musings on the Status of Electronic Music Today Lippe, Cort
Echoes in Plato’s Cave: Ontology of Sound Objects in Computer Music and Analysis Marsden, Alan
The place and meaning of computing in a sound relationship of man, machines, and environment Di Scipio, Agostino
Xenakis’s Philosophy of Technology Through Some Interviews Solomos, Makis
Real-Time Composition of Sound Environments Spiropoulos, Georgia
Computational ethnomusicology: a music information retrieval perspective Tzanetakis, George
Auditory Fusion and Holophonic Musical Texture in Xenakis’s Pithoprakta Kokoras, Panayiotis
Chronotope: the mutual dependency of time and space in visual music Zavada, Ivan
Computer Game Piece: Exploring Video Games as Means for Controlled Improvisation Jackowski, Dariusz; Melendez, Francho; Bauer, Andrzej; Hendrich, Paweł; Duchnowski, Cezary
Computer, Formalisms, Intuition and Metaphors. A Xenakian and Post-Xenakian Approach Besada, José L.
Contemporary Practices in the Performance and Sustainability of Computer Music Repertoire Baguyos, Jeremy C.
Could the endless progressions in James Tenney’s music be viewed as sonic koans? Féron, François-Xavier
Creativity Through Technology And Science In Xenakis Paparrigopoulos, Kostas
December Variations (on a Theme by Earle Brown) Hoadley, Richard
Degrees of Interpretation in Computer Aided Algorithmic Composition Aslan, Jessica
Diffusing Diffusion: A History of the Technological Advances in Spatial Performance Johnson, Bridget; Norris, Michael; Kapur, Ajay
Digitally Extending the Optical Soundtrack Dupuis, Alexander; Dominguez, Carlos
Easter Eggs: Hidden Tracks and Messages in Musical Mediums Weinel, Jonathan; Griffiths, Darryl; Cunningham, Stuart
EROTICISM AND TIME IN COMPUTER MUSIC: JULIANA HODKINSON AND NIELS RØNSHOLDT’S FISH & FOWL Sofer, Danielle
Examining the Analysis of Dynamical Sonic Ecosystems: in Light of a Criterion for Evaluating Theories Musick, Michael
Expanding the Vocalist’s Role Through the Use of Live Electronics in Real-Time Improvisation Åse, Tone
Experimence: Considerations for Composing a Rock Song for Interactive Audience Participation Hödl, Oliver; Fitzpatrick, Geraldine; Holland, Simon
Exploring a Visual/Sonic Representational Continuum Vickery, Lindsay
From Automatic Sound Analysis of Gameplay Footage [Echos] to the Understanding of Player Experience [Ethos]: an Interdisciplinary Approach to Feedback- Based Gameplay Metrics Marczak, Raphael; Hanna, Pierre; Rouas, Jean-Luc; van Vught, Jasper; Schott, Gareth
From Digital ‘Echos’ to virtual ‘ethos’: Ethical aspects of Music Technology Kosteletos, George; Georgaki, Anastasia
From Technological Investigation and Software Emulation to Music Analysis: An integrated approach to Barry Truax’s Riverrun Clarke, Michael; Dufeu, Frédéric; Manning, Peter
How blue is Mozart? Non verbal sensory scales for describing music qualities Murari, Maddalena; Rodà, Antonio; Da Pos, Osvaldo; Canazza, Sergio; De Poli, Giovanni; Sandri, Marta
Lose control, gain influence – Concepts for Metacontrol de Campo, Alberto
Music Systemisers and Music Empathisers – Do they rate expressiveness of computer generated performances the same? Schubert, Emery; De Poli, Giovanni; Roda, Antonio; Canazza, Sergio
OPERAcraft: Blurring the Lines between Real and Virtual Ico Bukvic, Ivica; Cahoon, Cody; Wyatt, Ariana; Cowden, Tracy; Dredger, Katie
Realism, Art, Technology and Audiovisual Immersion into the Environment of the Ionian Islands Loufopoulos, Apostolos; Heliades, George; Emmanouil, Minas; Matagkos, Fanis
The Ghost in the MP3 Maguire, Ryan
The Use of Rhythmograms in the Analysis of Electroacoustic Music, with Application to Normandeau’s Onomatopoeias Cycle Hirst, David
Timbral Hauntings: An Interactive System Re-Interpreting the Present in Echoes of the Past Musick, Michael; Park, Tae Hong
Towards an Aesthetic of Electronic-Music Performance Practice Ciciliani, Marko
Towards Defining the Potential of Electroacoustic Infrasonic Music Story Crawshaw, Alexis
Zwischenräume – A Case Study in the Evaluation of Interactive Sound Installations Marentakis, Georgios; Pirrò, David; Kapeller, Raphael
A Genetic Algorithm Approach to Collaborative Music Creation on a Multi-Touch Table Klügel, Niklas; Lindström, Andreas; Groh, Georg
AutoRhythmGuitar: Computer-aided Composition for Rhythm Guitar in the Tab Space McVicar, Matt; Fukayama, Satoru; Goto, Masataka
Broadening Telematic Electroacoustic Music by Affective Rendering and Embodied Real-time Data Sonification Whalley, Ian
cage: a high-level library for real-time computer-aided composition Agostini, Andrea; Daubresse, Éric; Ghisi, Daniele
Interactive Performance Systems Conceptual interacting strategies in forming electroacoustic sound identities Kalodiki, Georgia
Considering Roughness to Describe and Generate Vertical Musical Structure in Content-Based Algorithmic-Assisted Audio Composition Bernardes, Gilberto; Davies, Matthew E. P.; Guedes, Carlos; Pennycook, Bruce
Declarative Composition and Reactive Control in Marsyas Leben, Jakob; Tzanetakis, George
Directed Transitional Composition for Gaming and Adaptive Music Using Q-Learning Cullimore, Jason; Hamilton, Howard; Gerhard, David
EmbodiComp: Embodied Interaction for Mixing and Composition El-Shimy, Dalia; Cowan, Steve; Cooperstock, Jeremy R.
Griddy: a Drawing Based Music Composition System with Multi-layered Structure Kim, Keunhyoung Luke; Seung Yeo, Woon
Kara: a BCI approach to composition Cádiz, Rodrigo F.; de la Cuadra, Patricio
Kuatro: A Motion-Based Framework for Interactive Music Installations Johnson, David; Manaris, Bill; Vassilandonakis, Yiorgos; Stoudenmier, Seth
Modelling the live-electronics in electroacoustic music using particle systems Perrotta, André V.; Menezes, Flo; Martins, Luis Gustavo
Musical perspectives on composition, sonification and performace de Götzen, Amalia; Bernardini, Nicola; Vidolin, Alvise
NEYMA, interactive soundscape composition based on a low budget motion capture system. Alessandretti, Stefano; Sparano, Giovanni
pOM: Linking Pen Gestures to Computer-Aided Composition Processes Garcia, Jérémie; Leroux, Philippe; Bresson, Jean
Principles of Visual Design for Computer Music Wang, Ge
Query-by-Multiple-Examples: Content-Based Search in Computer-Assisted Sound-Based Musical Composition Fernandes Tavares, Tiago; Manzolli, Jônatas
Real-time Breeding Composition System by means of Genetic Programming and Breeding Procedure Ando, Daichi
Real-time Music Composition through P-timed Petri Nets Baratè, Adriano; Haus, Goffredo; Ludovico, Luca A.
Sense: an electroacoustic composition for surround sound and tactile transducers Kokoras, Panayiotis
Sound of Rivers: Stone Drum: a Multimedia Collaboration, with Sonified Data, Computer-Processed Narration, and Electric Violin Nichols, Charles; Lorang, Mark; Gibbons, Mark; Bradley Browning, Nicole; Bushnell, Amber
Swarm Lake: A Game of Swarm Intelligence, Human Interaction and Collaborative Music Composition Kaliakatsos–Papakostas, M.; Floros, A.; Drossos, K.; Koukoudis, K.; Kyzalas, M.; Kalantzis, A.
Tangibility and Low-Level Live Coding Diapoulis, Georgios; Zannos, Ioannis
The Creation and Projection of Space-Source in Electroacoustic Music. Lotis, Theodoros
The Procedural Sounds and Music of ECHO::Canyon Hamilton, Robert
Transcription, Adaptation and Maintenance in Live Electronic Performance with Acoustic Instruments Furniss, Pete; Dudas, Richard
Translation as Technique: Collaboratively Creating an Electro-Acoustic Composition for Saxophone and Live Video Projection Jette, Christopher; Thomas, Kelland; Villegas, Javier; Graeme Forbes, Angus
“Topos” toolkit for Pure Data: exploring the spatial features of dance gestures for interactive musical applications Naveda, Luiz; Santana, Ivani
Bassline Pitch Prediction for Real-Time Performance Systems Robertson, Andrew
Beyond the Beat: Towards Metre, Rhythm and Melody Modelling with Hybrid Oscillator Networks Lambert, Andrew; Weyde, Tillman; Armstrong, Newton
Citygram One: One Year Later … Park, Tae Hong; Musick, Michael; Turner, John; Mydlarz, Charlie; Lee, Jun Hee; You, Jaeseong; DuBois, Luke
Design process for interactive sound installations: the designer, the interactor and the system Le Prado, Cécile; Natkin, Stéphane
ICE – towards distributed networked computermusic ensemble Ritsch, Winfried
Influence of Expressive Coupling in Ensemble Performance on Musicians’ Body Movement Mota, Davi; Loureiro, Maurício; Laboissière, Rafael
Mobile Phones as Ubiquitous Instruments: Towards Standardizing Performance Data on the Network Bowen, Nathan; Reeder, David
Movable Party: A bicycle-powered system for interactive musical performance Kemper, Steven; Hsu, Wendy F.; Sargent, Carey; Taylor, Josef; Wei, Linda
Polytempo Network: A System for Technology-Assisted Conducting Kocher, Philippe
Real-time Manipulation of Syncopation in Audio Loops Cocharro, Diogo; Sioros, George; Caetano, Marcelo; Davies, Matthew E.P.
StiffNeck: The Electroacoustic Music Performance Venue in a Box Eckel, Gerhard; Rumori, Martin
Tactile Composition: Configurations and communications for a musical haptic chair Armitage, Joanne; Ng, Kia
The Black Swan: Probable and Improbable Communcation Over Local and Geographically Displaced Networked Connections as a Musical Performance System Aska, Alyssa
A computer-mediated Interface for Jazz Piano Comping Dias, Rui; Guedes, Carlos; Marques, Telmo
A High-Level Review of Mappings in Musical iOS Applications Kell, Thor; Wanderley, Marcelo M.
A Hybrid Guitar Physical Model Controller: The BladeAxe Michon, Romain; III Smith, Julius O.
AFFECTIVE JUKEBOX: A CONFIRMATORY STUDY OF EEG EMOTIONAL CORRELATES IN RESPONSE TO MUSICAL STIMULI Eaton, Joel; Williams, Duncan; Miranda, Eduardo
Animating Timbre – A User Study Soraghan, Sean
ArmKeyBoard: A Mobile Keyboard Instrument Based on Chord-scale System and Tonal Hierarchy Deng, Jun-qi; Chi Moon Lau, Francis; Kwok, Yu-kwong
AscoGraph: A User Interface for Sequencing and Score Following for Interactive Music Coffy, Thomas; Cont, Arshia; Giavitto,
Being There & Being With: The Philosophical and Cognitive Notions of Presence and Embodiment in Virtual Instruments Luciani, Annie
Building a Gamelan from Bricks NGIAO, Tzu-En
Conceptual Blending in Biomusic Composition Space: The “Brainswarm” Paradigm Hadjileontiadis, Leontios J.
Corporeality, Actions and Perceptions in Gestural Performance of Digital Music Schacher, Jan C.
Creating a Place as a Medium for Musical Communication Using Multiple Electroencephalography Hamano, Takayuki; Ohmura, Hidefumi; Nakagawa, Ryu; Terasawa, Hiroko; Hoshi-Shiba, Reiko; Okanoya, Kazuo; Furukawa, Kiyoshi
CriticalEd: A Tool for Assisting with the Creation of Critical Commentaries Mølholt Kjellberg, Caspar; Meredith, David
Implementations of the Leap Motion in sound synthesis, effects modulation and assistive performance tools Hantrakul, Lamtharn; Kaczmarek, Konrad
Infrared vs. Ultrasonic Finger Detection on a Virtual Piano Keyboard De Pra, Yuri; Fontana, Federico; Tao, Linmi
Leap Motion As Expressive Gestural Interface Ritter, Martin; Aska, Alyssa
Little Drummer Bot: Building, Testing, and InterfacingWith a New Expressive Mechatronic Drum System Murphy, Jim; Carnegie, Dale A.; Kapur, Ajay
MAPPING MOTION TO TIMBRE: ORIENTATION, FM SYNTHESIS AND SPECTRAL FILTERING Neuman, Israel; Okpala, Charles; Bonezzi, Cesar E.
Mechatronic Keyboard Music: Design, Evaluation, and Use of a New Mechatronic Harmonium Murphy, Jim; Kapur, Ajay; Carnegie, Dale A.
miniAudicle for iPad: Touchscreen-based Music Software Programming Salazar, Spencer; Wang, Ge
MoveOSC — Smart Watches in Mobile Music Performance Migicovsky, Alex; Scheinerman, Jonah; Essl, Georg
Multi-touch Interface for Acousmatic Music Spatialization Le Vaillant, Gwendal; Giot, Rudi
Mutor: Drone Chorus of Metrically Muted Motors Zareei, Mo H.; Carnegie, Dale A.; Kapur, Ajay; McKinnon, Dugal
NICO: An Open-Source Interface, Bridging the Gap Between Musician and Tesla Coil Johnston, Blake; Bailey, Josh; McKinnon, Dugal
NLN-live, an application for live nonlinear and interactive instrumental music van Nispen tot Pannerden, N.J.
Organic Oscillator: Experiments using Natural Oscillation Sources from Audiences Fan, Yuan-Yi
P300 Harmonies: A Brain-Computer Musical Interface Vamvakousis, Zacharias; Ramirez, Rafael
Scaling Up Live Internet Performance with The Global Net Orchestra Dannenberg, Roger B.; Neuendorffer, Tom
SCULPTON: A MALLEABLE TANGIBLE INTERFACE FOR SOUND SCULPTING Boem, Alberto
Sensors2PD: Mobile sensors and WiFi information as input for Pure Data Deusany de Carvalho Junior, Antonio
SkipStep: A Multi-Paradigm Touch-screen Instrument Sarwate, Avneesh; Snyder, Jeff
Tangibility, Presence, Materiality, Reality in Artistic Creation with Digital Technology Cadoz, Claude; Luciani, Annie; Villeneuve, Jérôme; Kontogeorgakopoulos, Alexandros; Zannos, Iannis
TC-Data: Extending Multi-Touch Interfaces for Generalized Relational Control Schlei, Kevin
The Breath Engine: Challenging Biological and Technological Boundaries through the Use of NK Complex Adaptive Systems Cantrell, Joe; Zyskowski, Colin; Ceccato, Drew
The feature extraction based hypersampler in Il grifo nelle perle nere: a bridge between player and instrument paradigm Marinoni, Marco
Towards Touch Screen Live Instruments with Less Risk: A Gestural Approach Jangwon Lee, Edward; Seung Yeo, Woon
Turnector: Tangible ControlWidgets For Capacitive Touchscreen Devices Rutter, Edward Kingsley; Mitchell, Tom; Nash, Chris
Unisoner: An Interactive Interface for Derivative Chorus Creation from Various Singing Voices on the Web Tsuzuki, Keita; Nakano, Tomoyasu; Goto, Masataka; Yamada, Takeshi; Makino, Shoji
tactile.motion: An iPad Based Performance Interface For Increased Expressivity In Diffusion Performance Johnson, Bridget; Norris, Michael; Kapur, Ajay
Ambisonics User Defined Opcodes for Csound Neukom, Martin
An Agent Based Approach to Interaction and Composition Pearse, Stephen; Moore, David
ImmLib – A new library for immersive spatial composition Cerdeira Negrão, Miguel
Introducing the Zirkonium MK2 System for Spatial Composition Wagner, David; Brümmer, Ludger; Dipper, Götz; Otto, Jochen Arne
Orchestrating wall reflections in space by icosahedral loudspeaker: findings from first artistic research exploration Sharma, Gerriet K.; Zotter, Franz; Frank, Matthias
SPATIAL AND KINEMATIC MODELS FOR PROCEDURAL AUDIO IN 3D VIRTUAL ENVIRONMENTS Pecino, Ignacio
SPATIAL UTILIZATION OF SENSORY DISSONANCE AND THE CREATION OF SONIC SCULPTURE Hansen, Brian
The Future of Spatial Computer Music Lyon, Eric
The HOA library, review and prospects Anne, Sèdes; Pierre, Guillot; Eliott, Paris
The SpatDIF library – Concepts and Practical Applications in Audio Software Schacher, Jan C.; Miyama, Chikashi; Lossius, Trond
Towards Open 3D Sound Diffusion Systems Lopez-Lezcano, Fernando
A Paradigm Shift for Modelling Sound Sensation Mourjopoulos, John N.
About the Different Types of Listeners for Rating the Overall Listening Experience Schoeffler, Michael; Herre, Jürgen
ALARM/WILL/SOUND: PERCEPTION, CHARACTERIZATION, ACOUSTIC MODELING, AND DESIGN OF MODIFIED CAR ALARMS Sigman, Alexander; Misdariis, Nicolas
Color and emotion caused by auditory stimuli Partesotti, Elena; Fernandes Tavares, Tiago
EVALUATING PERCEPTUAL SEPARATION IN A PILOT SYSTEM FOR AFFECTIVE COMPOSITION Williams, Duncan; Kirke, Alexis; Miranda, Eduardo; Daly, Ian; Roesch, Etienne B.; Weaver, James C. E.; Nasuto, Slawomir J. Nasuto
Human Perception of the Soundscape in a Metropolis through the Phenomenology of Neural Networks Santucci, Enrica; Ludovico, Luca A.
Loudness Normalisation: Paradigm Shift or Placebo for the Use of Hyper-Compression in Pop Music? Ronan, Malachy; Sazdov, Robert; Ward, Nicholas
Musical Timbre and Emotion: The Identification of Salient Timbral Features in Sustained Musical Instrument Tones Equalized in Attack Time and Spectral Centroid Wu, Bin; Horner, Andrew; Lee, Chung
μTunes: A Study of Musicality Perception in an Evolutionary Context Sidorov, Kirill; Hawkins, Robin; Jones, Andrew; Marshall, David
Optimal Acoustic Reverberation Evaluation of Byzantine Chanting in Churches Mourjopoulos, John; Papadakos, Charalambos; Kamaris, Gavriil; Chryssochoidis, Georgios; Kouroupetoglou, Georgios
Perception of Interactive Vibrotactile Cues on the Acoustic Grand and Upright Piano Fontana, Federico; Avanzini, Federico; Järveläinen, Hanna; Papetti, Stefano; Zanini, Francesco; Zanini, Valerio
Perceptual Characterization of a Tactile Display for a Live-Electronics Notification System Frid, Emma; Giordano, Marcello; Schumacher, M. Marlon; Wanderley, Marcelo M.
Resolving Octave Ambiguities: A Cross-dataset Investigation Su, Li; Yu, Li-Fan; Yang, Yi-Hsuan; Lai, Hsin-Yu
STUDY OF THE PERCEPTUAL AND SEMANTIC DIVERGENCE OF DIGITAL AUDIO PROCESSED BY RESTORATION ALGORITHMS Cenceschi, Sonia; Klauer, Giorgio
Test Methods for Score-Based Interactive Music Systems Poncelet, Clément; Jacquemard, Florent
Timbre Features and Music Emotion in Plucked String, Mallet Percussion, and Keyboard Tones Chau, Chuck-jee; Wu, Bin; Horner, Andrew
Algebraic Mozart by Tree Synthesis Hirata, Keiji; Tojo, Satoshi; Hamanaka, Masatoshi
Algorithmic Cross-Mixing And Rhythmic Derangement Baracskai, Zlatko
An Idiom-independent Representation of Chords for Computational Music Analysis and Generation Cambouropoulos, Emilios; Kaliakatsos-Papakostas, Maximos; Tsougras, Costas
Analysis of the Simultaneity, Voice/layer Balance, and Rhythmic Phrasing in Works for Guitar by Rodrigo, Brouwer, and Villa-Lobos Freire, Sérgio; Nézio, Lucas; dos Reis, Anderson
AutoChorusCreator : Four-Part Chorus Generator with Musical Feature Control, Using Search Spaces Constructed from Rules of Music Theory Evans, Benjamin; Fukayama, Satoru; Goto, Masataka; Munekata, Nagisa; Ono, Tetsuo
Computing Musical Meter – an Approach to an Integrated Formal Description Härpfer, Bernd
Corpora for Music Information Research in Indian Art Music Srinivasamurthy, Ajay; Krishna Koduri, Gopala; Gulati, Sankalp; Ishwar, Vignesh; Serra, Xavier
Fine-tuned Control of Concatenative Synthesis with CATART Using the BACH Library for MAX Einbond, Aaron; Trapani, Christopher; Agostini, Andrea; Ghisi, Daniele; Schwarz, Diemo
FugueGenerator – Collaborative Melody Composition Based on a Generative Approach for Conveying Emotion in Music Klügel, Niklas; Hagerer, Gerhard; Groh, Georg
Improving accompanied Flamenco singing voice transcription by combining vocal detection and predominant melody extraction Kroher, Nadine; Gómez, Emilia
Interval Scale as Group Generators Tanaka, Tsubasa; Furukawa, Kiyoshi
Landmark Detection in Hindustani Music Melodies Gulati, Sankalp; Serrà, Joan; Ganguli, Kaustuv K.; Serra, Xavier
Modality Baalman, Marije; Bovermann, Till; de Campo, Alberto; Negrão, Miguel
Modulus p Rhythmic Tiling Canons and some implementations in Open Music visual programming language Caure, Hélianthe; Agon, Carlos; Andreatta, Moreno
Probabilistic harmonization with fixed intermediate chord constraints Kaliakatsos–Papakostas, Maximos; Cambouropoulos, Emilios
Real Time Tempo Canons with Antescofo Trapani, Christopher; Echeveste, José
Sampling the extrema from statistical models of music with variable neighbourhood search Herremans, Dorien; Sörensen, Kenneth; Conklin, Darrell
Some perspectives in the artistic rendering of music scores Evangelista, Gianpaolo
Spatial Transformations in Simplicial Chord Spaces Bigo, Louis; Ghisi, Daniele; Spicher, Antoine; Andreatta, Moreno
Spatialization Symbolic Music Notation at ICST Ellberger, Emile; Toro Perez, Germán; Schuett, Johannes; Zoia, Giorgio; Cavaliero, Linda
The Counterpoint Game: Rules, Constraints and Computational Spaces Samory, Mattia; Mandanici, Marcella; Canazza, Sergio; Peserico, Enoch
The notion of Ethos in Arabic music: computational modeling of Al-Urmawi’s modes (13th Century) in Csound Belhassen, Raed
A History of Emerging Paradigms in EEG for Music Christopher, Kameron R.; Kapur, Ajay; Carnegie, Dale A.; Grimshaw, Gina M.
A Study on Cross-cultural and Cross-dataset Generalizability of Music Mood Regression Models Hu, Xiao; Yang, Yi-Hsuan
An Experimental Classification of the Programming Patterns for Scheduling in Computer Music Programming Nishino, Hiroki
Automatic Singer Identification For Improvisational Styles Based On Vibrato, Timbre And Statistical Performance Descriptors Kroher, Nadine; Gómez, Emilia
Distance in Pitch Sensitive Time-span Tree Matsubara, Masaki; Hirata, Keiji; Tojo, Satoshi
Estimation of Vocal Duration in Monaural Mixtures Elowsson, Anders; Schön, Ragnar; Höglund, Matts; Zea, Elias; Friberg, Anders
Instantaneous Detection and Classification of Impact Sound: Turning Simple Objects into Powerful Musical Control Interfaces Stefanakis, Nikolaos; Mastorakis, Yannis; Mouchtaris, Athanasios
Merged-Output Hidden Markov Model for Score Following of MIDI Performance with Ornaments, Desynchronized Voices, Repeats and Skips Nakamura, Eita; Ono, Nobutaka; Saito, Yasuyuki; Sagayama, Shigeki
METHOD TO DETECT GTTM LOCAL GROUPING BOUNDARIES BASED ON CLUSTERING AND STATISTICAL LEARNING Kanamori, Kouhei; Hamanaka, Masatoshi; Hoshino, Junichi
Power-Scaled Spectral Flux and Peak-Valley Group-Delay Methods for Robust Musical Onset Detection Su, Li; Yang, Yi-Hsuan
Short-term and Long-term Evaluations of Melody Editing Method based on Melodic Outline Kitahara, Tetsuro; Tsuchiya, Yuichi
Teaching Robots to Conduct: Automatic Extraction of Conducting Information from Sheet Music Salgian, Andrea; Agina, Lawrence; Nakra, Teresa M.
Towards Soundscape Information Retrieval (SIR) Park, Tae Hong; Lee, Jun Hee; You, Jaeseong; Yoo, Min-Joon; Turner, John
Transient Analysis for Music and Moving Images: Considerations for Television Advertising Rogers, Andrew; Gibson, Ian
Violin Fingering Estimation According to Skill Level based on Hidden Markov Model Nagata, Wakana; Sako, Shinji; Kitamura, Tadashi
A Multi-agent Interactive composing system for creating “expressive” accompaniment. Spicer, Michael
An Automatic Singing Impression Estimation Method Using Factor Analysis and Multiple Regression Kanato, Ai; Nakano, Tomoyasu; Goto, Masataka; Kikuchi, Hideaki
Automatic Competency Assessment of Rhythm Performances of Ninth-grade and Tenth-grade Pupils Abeßer, Jakob; Hasselhorn, Johannes; Grollmisch, Sascha; Dittmar, Christian; Lehmann, Andreas
HMM-BASED AUTOMATIC ARRANGEMENT FOR GUITARS WITH TRANSPOSITION AND ITS IMPLEMENTATION Hori, Gen; Sagayama, Shigeki
Intelligent Exploration of Sound Spaces Using Decision Trees and Evolutionary Approach Kreković, Gordan; Petrinović, Davor
Laminae: A stochastic modeling-based autonomous performance rendering system that elucidates performer characteristics Okumura, Kenta; Sako, Shinji; Kitamura, Tadashi
Machine Improvisation with Formal Specifications Donzé, Alexandre; Valle, Rafael; Akkaya, Ilge; Libkind, Sophie; Seshia, Sanjit A.; Wessel, David
ML.* MACHINE LEARNING LIBRARY AS A MUSICAL PARTNER IN THE COMPUTER-ACOUSTIC COMPOSITION FLIGHT Smith, Benjamin D.; Deal, W. Scott
Planning Human-Computer Improvisation Nika, Jérôme; Echeveste, José; Chemillier, Marc; Giavitto, Jean-Louis
Tempo Prediction Model for Accompaniment System Wada, Shizuka; Horiuchi, Yasuo; Kuroiwa, Shingo
A BOWED STRING PHYSICAL MODEL INCLUDING FINITE-WIDTH THERMAL FRICTION AND HAIR DYNAMICS Maestre, Esteban; Spa, Carlos; Smith III, Julius O.
A flexible and modular crosslingual voice conversion system Machado, Anderson Fraiha; Queiroz, Marcelo
A framework for music analysis/resynthesis based on matrix factorization Burred, Juan José
A Research of Automatic Composition and Singing Voice Synthesis System for Taiwanese Popular Songs Huang, Chih-Fang; Hong, Wei-Gang; Li, Min–Hsuan
A Method of Timbre-Shape Synthesis Based On Summation of Spherical Putnam, Lance
ATK Reaper: The Ambisonic Toolkit as JSFX plugins Lossius, Trond; Anderson, Joseph
Audio Signal Visualisation and Measurement Gareus, Robin; Goddard, Chris
Audio-Rate Modulation of Physical Model Parameters Berdahl, Edgar
Detection of Random Spectral Alterations of Sustained Musical Instrument Tones in Repeated Note Contexts Lee, Chung; Horner, Andrew
Effects of different bow stroke styles on body movements of a viola player: an exploratory study Visi, Federico; Coorevits, Esther; Miranda, Eduardo; Leman, Marc
Evaluating HRTF Similarity through Subjective Assessments: Factors that can Affect Judgment Andreopoulou, Areti; Roginska, Agnieszka
Gamma: A C++ Sound Synthesis Library Further Abstracting the Unit Generator Putnam, Lance
Gene expression synthesis Allik, Alo
Modular Physical Modeling Synthesis Environments on GPU Bilbao, Stefan; Torin, Alberto; Graham, Paul; Perry, James; Delap, Gordon
Musical Audio Denoising Assuming Symmetric α-Stable Noise Bassiou, Nikoletta; Kotropoulos, Constantine
MUSICAL AUDIO SYNTHESIS USING AUTOENCODING NEURAL NETS Sarroff, Andy M.; Casey, Michael
ON THE PLAYING OF MONODIC PITCH IN DIGITAL MUSIC INSTRUMENTS Goudard, Vincent; Genevois, Hugues; Feugère, Lionel
Parameter Estimation of Virtual Musical Instrument Synthesizers Itoyama, Katsutoshi; Okuno, Hiroshi G.
Sonification of Controlled Quantum Dynamics Kontogeorgakopoulos, Alexandros; Burgarth, Daniel
Sound Shapes and Spatial Texture: Frequency-Space Morphology Stuart, James
The sound effect of ancient Greek theatrical masks Kontomichos, Fotios; Papadakos, Charalampos; Georganti, Eleftheria; Vovolis, Thanos; Mourjopoulos, John N.
The TR-808 Cymbal: a Physically-Informed, Circuit-Bendable, Digital Model Werner, Kurt James; Abel, Jonathan S.; Smith, Julius O.
Timbre-invariant Audio Features for Style Analysis of Classical Music Weiß, Christof; Mauch, Matthias; Dixon, Simon
Touchpoint: Dynamically Re-Routable Effects Processing as a Multi-Touch Tablet Instrument Suda, Nicholas K.; Vallis, Owen S.
Toward Real-Time Estimation of Tonehole Configuration Smyth, Tamara; Wang, Cheng-i
Towards a Dynamic Model of the Palm Mute Guitar Technique Based on Capturing Pressure Profiles Between the Guitar Strings Biral, Julien; d’Alessandro, Nicolas; Freed, Adrian
Understanding and Tuning Mass-Interaction Networks Through Their Modal Representation Villeneuve, Jerome; Cadoz, Claude
Visualization and manipulation of stereophonic audio signals by means of IID and IPD Presti, Giorgio; Haus, Goffredo; Mauro, Davide A.
HarmonyMixer: Mixing the Character of Chords among Polyphonic Audio Fukayama, Satoru; Goto, Masataka
A Protocol for creating Multiagent Systems in Ensemble with Pure Data Bruel, Pedro; Queiroz, Marcelo
Audio Rendering/Processing and Control Ubiquity ? a Solution Built Using the Faust Dynamic Compiler and JACK/NetJack Letz, Stephane; Denoux, Sarah; Orlarey, Yann
Comparing models of symbolic music using probabilistic grammars and probabilistic programming Abdallah, Samer A.; Gold, Nicolas E.
Connecting SUM with computer-assisted composition in PWGL: Recreating the graphic scores of Anestis Logothetis Adhitya, Sara; Kuuskankare, Mika
DIMI-6000: An Early Musical Microcomputer by Erkki Kurenniemi Lassfolk, Kai; Suominen, Jari; Ojanen, Mikko
Extending Aura with Csound Opcodes Yi, Steven; Lazzarini, Victor; Dannenberg, Roger; ffitch, John
Flocking: A Framework for Declarative Music-Making on theWeb Clark, Colin; Tindale, Adam
GenoMeMeMusic: a Memetic-based Framework for Discovering the Musical Genome Velardo, Valerio; Vallati, Mauro
LC: A New Computer Music Programming Language with Three Core Features NISHINO, Hiroki; OSAKA, Naotoshi; NAKATSU, Ryohei
Model-View-Controller separation in Max using Jamoma Lossius, Trond; de la Hogue, Theo; Baltazar, Pascal; Place, Tim; Wolek, Nathan; Rabin, Julien
Mostly-Strongly-Timed Programming in LC NISHINO, Hiroki; NAKATSU, Ryohei
New Tools for Aspect-Oriented Programming in Music and Media Programming Environments MacCallum, John; Freed, Adrian; Wessel, David
o.io: a Unified Communications Framework for Music, Intermedia and Cloud Interaction Freed, Adrian; DeFilippo, David; Gottfried, Rama; MacCallum, John; Lubow, Jeff; Razo, Derek; Wessel, David
Programmation and Control of Faust Sound Processing in OpenMusic Bouche, Dimitri; Bresson, Jean; Letz, Stéphane
Representation of Musical Computer Processes Fober, Dominique; Orlarey, Yann; Letz, Stéphane
SoDA: A Sound Design Accelerator for the automatic generation of soundscapes from an ontologically annotated sound library Valle, Andrea; Armao, Paolo; Casu, Matteo; Koustomichalis, Marinos
Sound Processes: A New Computer Music Framework Rutz, Hanns Holger
Using natural language to specify sound parameters Milde, Jan-Torsten
Vuza: a functional language for creative applications Cella, Carmine-Emanuele
3DMIN — Challenges and Interventions in Design, Development and Dissemination of New Musical Instruments Bovermann, Till; Hinrichsen, Amelie; Hildebrand Marques Lopes, Dominik; de Campo, Alberto; Egermann, Hauke; Foerstel, Alexander; Hardjowirogo, Sarah-Indriyati; Pysiewicz, Andreas; Weinzierl, Stefan
A design exploration on the effectiveness of vocal imitations Monache, Stefano Delle; Baldan, Stefano; Mauro, Davide A.; Rocchesso, Davide
A Recursive Mapping System for Motion and Sound in a Robot between Human Interaction Design Bökesoy, Sinan
Ambient culture: coping musically with the environment Maeder, Marcus
Association of Sound movements in space to Takete and Maluma de Götzen, Amalia
Augmented Exercise Biking with Virtual Environments for Elderly Users: Considerations on the use of auditory Bruun-Pedersem, Jon Ram; Serafin, Stefania; Busk Kofoed, Lise
Data Auditorio: Towards Intense Interaction, an Interactive Hyper-Directional Sound for Play and Ubiquity Misawa, Daichi; Odai, Kiyomitsu
Ecologically grounded multimodal design: The Palafito 1.0 study Keller, Damián; Timoney, Joseph; Constalonga, Leandro L.; Capasso, Ariadna; Tinajero, Patricia; Lazzarini, Victor; Soares Pimenta, Marcelo; de Lima, Maria Helena; Johann, Marcelo
Ethos in Sound Design for Brand Advertisement Toppano, Elio; Toppano, Alessandro
Implementation and Evaluation of Real-Time Interactive User Interface Design in Self-learning Singing Pitch Training Apps Lin, Kin Wah Edward; Anderson, Hans; Hamzeen, M.H.M.; Lui, Simon
Modes of Sonic Interaction in Circus: Three Proofs of Concept Elblaus, Ludvig; Goina, Maurizio; Robitaille, Marie-Andrée; Bresin, Roberto
N-gon Waves – Audio Applications of the Geometry of Regular Polygons in the Time Domain Chapman, Dominik; Grierson, Mick
PheroMusic: Navigating a Musical Space for Active Music Experiences Nymoen, Kristian; Chandra, Arjun; Glette, Kyrre; Torresen, Jim; Voldsund, Arve; Refsum Jensenius, Alexander
POLISphone: Creating and performing with a flexible soundmap Lopes, Filipe; Rodrigues, Paulo
Sonic Scenography – Equalized Structure-borne Sound for Aurally Active Set Design Lähdeoja, Otso; Haapaniemi, Aki; Välimäki, Vesa
SoundScapeTK: A Platform for Mobile Soundscapes Stoll, Thomas
Takt: A read-eval-play-loop interpreter for a structural/procedural score language Nishimura, Satoshi
Learning Musical Contour on a Tabletop Franceschini, Andrea; Laney, Robin; Dobbyn, Chris
MUSIC TECHNOLOGY’S INFLUENCE ON FLUTE PEDAGOGY: A SURVEY OF THEIR INTERSECTION Siwiak, Diana; Kapur, Ajay; Carnegie, Dale A.
Recommending Music to Groups in Fitness Classes De Carolis, Berardina; Ferilli, Stefano; Orio, Nicola
The “Harmonic Walk”: an Interactive Educational Environment to Discover Musical Chords. Mandanici, Marcella; Rodà, Antonio; Canazza, Sergio
THE EFFECTIVENESS OF VISUAL FEEDBACK SINGING VOCAL TECHNOLOGY IN GREEK ELEMENTARY SCHOOL Stavropoulou, Sofia; Georgaki, Anastasia; Moschos, Fotis
The Use of Apprenticeship Learning Via Inverse Reinforcement Learning for Generating Melodies Messer, Orry; Ranchod, Pravesh
Mobile Instruments Made Easy: Creating Musical Mobile Apps with LIBPD and iOS, No Experience Necessary Holmes, Danny
Demo: Using Jamama’s MVC features to design an audio effect interface Lossius, Trond; Wolek, Nathan; de la Hogue, Theo; Baltazar, Pascal
SYSTab: A proactive real-time expert system for ancient Greek music theory and notation Carlé, Martin
Making People Move: Dynamic musical notations Hoadley, Richard
LISTENING OTHERWISE: PLAYING WITH SOUND VIBRATION Criton, Pascale
Spinphony Demo Nilsen, Mark Robert
i-score, an Interactive Sequencer for the Intermedia Arts Baltazar, Pascal; de la Hogue, Théo; Desainte-Catherine, Myriam
Sound and Music Computing at Aalborg University in Copenhagen Serafin, Stefania; Dahl, Sofia; de Götzen, Amalia; Erkut, Cumhur; Overholt, Dan; Purwins, Hendrik; Sturm, Bob
The Centre Iannis Xenakis’s establishment at the University of Rouen Delhaye, Cyrille; Bourotte, Rodolphe; Kanach, Sharon
CeMFI and Earquake: (Epi-)Centers for Experimental Music, Media and Research Hadjakos, Aristotelis; Bock, Steffen; Lévy, Fabien
University of Helsinki Music Research Laboratory and Electronic Music Studio – The first 50 years and beyond Lassfolk, Kai; Ojanen, Mikko
相关项目

开始输入并按回车搜索